Devendra Banhart announces his new album, Ma, out September 13 on Nonesuch Records. This is Banhart’s first album since 2016’s Ape in Pink Marble. Ma, bursting with tender, autobiographical vignettes, displays a shift from the sonic experimentation of his previous albums to an intricate, captivating story-telling and emotional intimacy. Banhart favours organic sounds to accompany his voice and guitar, the arrangements bolstered by strings, woodwinds, brass, and keyboards. He also debuts a fantastical, surrealistic video for the first single, ‘Kantori Ongaku’.
‘Kantori Ongaku’ translates from Japanese to “country music” and is a nod to experimental pop legend Haruomi Hosono, a founding member of the influential electronic band Yellow Magic Orchestra. The song's video features a full circle journey of vignettes that play on the dream-like quality of intimate activities. The video, colourfully directed by Giraffe Studios, also features guest cameos and a brief infomercial requesting donations to the I Love Venezuela Foundation.
The simply titled Ma is Devendra Banhart’s third album for Nonesuch, one that addresses — often in a beguilingly oblique way — the unconditional nature of maternal love, the desire to nurture, the passing down of wisdom, the longing to establish the relationship of mother to child, and the consequences of that bond being broken. Banhart doesn’t approach the album’s maternal theme in a literal way; rather, by contemplating it, alluding to it, regarding the concept of motherhood from different angles, he has fashioned an album of multiple, intertwining narratives. Its concerns are both personal and global, with subtly autobiographical looks at life and death and ruminations about the precarious state of the world. The many light-hearted moments of Ma are balanced by deeply melancholic, even sombre ones. Three tracks are in Spanish, the language that is as much Banhart’s native tongue as English, and one in Portuguese.
Banhart, who spent his childhood in Venezuela, has been profoundly affected by the poverty and despair he’s witnessed there. His concern over the dire situation in his motherland drew him back to the Spanish language: “My brother is in Venezuela, my cousins, my aunts and uncles. They are just holding their breath, in gridlock standstill. There’s this helplessness. This place that has been a mother to you, that you’re a mother to as well, and it’s suffering so much. There is nothing you can do but send out love and remain in that sorrowful state.”
Working with Grammy Award–winning producer-musician and longtime musical compadre Noah Georgeson, the two started this particular musical journey when they were invited to record in a special room at a venerable old temple in Kyoto, after a short Asian tour. That served as a musical and spiritual prelude to what was to come. Back in California, they recorded at 64 Sound and Sea Horse Studios in Los Angeles and Anderson Canyon in Big Sur. Welsh singer-songwriter Cate Le Bon contributes background vocals on ‘Now All Gone’ and Banhart’s mentor, muse, and dear friend, the folk legend Vashti Bunyan, duets with him on ‘Will I See You Tonight’. Notes Banhart, “Vashti is the archetype of the mother, one of the most important people in my life. It was so beautiful to sing this duet with her.”
1. Is This Nice?
2. Kantori Ongaku
6. Now All Gone
7. Love Song
8. Abre Las Manos
9. Taking a Page
10. October 12
11. My Boyfriend’s In The Band
12. The Lost Coast
13. Will I See You Tonight? (featuring Vashti Bunyan)