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“Still the noise in the mind, that is the first task,” wrote musicologist R. Murray Schafer in his defining book The Soundscape. “Then everything else will follow in time.” Nova Scotia four-piece Mauno sound like they’re striving for similar clarity on their adventurous new album, Tuning— a record named after the book’s subtitle, and similarly brimming with grand ideas.

 “The Soundscape changed my life,” says singer/guitarist Nick Everett. “It completely changed the way I move through the world.” The book is full of theories about the emotional attachments we form with our sonic environments. Tuning is therefore threaded with field recordings captured everywhere from Mauno's home in Halifax to Berlin and Heidelberg. “We wanted to include little pieces of the places we’ve lived,” says Everett.

Ever since forming in September 2014, Mauno (pronounced Mao-no, and ironically named after bassist / vocalist Eliza Niemiʼs completely unmusical Finnish grandfather) has had a wandering sound that refuses to be pinned down. On Rough Master, they strayed from twisting grunge-pop to piano ambience and string-accompanied haze, in part inspired by Niemiʼs background in classical cello and prog rock. Tuning is a different beast. “It’s a lot more pop-oriented and concise,” says Everett. “Much more carefully crafted and a lot more cohesive. It’s more mature, I think – but I’ve listened to it about ten thousand f**king times so I don’t anything about it anymore,” he laughs.

Mauno will be performing live at the following venues:

4th Oct – LONDON – The Islington

5th Oct – COVENTRY – Inspire

18th Oct – LEEDS – Brudenell Social Club *

* Supporting Chad Vangaalen

 

 

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