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Drive By Truckers - Go-Go Boots

  • Written by  Ben Dufton

Drive By Truckers return to the shelves of our local record stores with something between (according to the all encompassing internet) their ninth and twelfth album (band co-founder Patterson Hood counts it as their eleventh, by the way).  Recorded separately during the same sessions as predecessor The Big To DoGo-Go Boots dives into the “waters of country/soul and that mystical intersection between to two dominate poles of our shared musical heritage”, again according to Hood.

 

Upon first listening, the country element is obviously there – ‘Assholes’ is alt. country by numbers, down to the modern vernacular complemented by slide guitars that make you picture the sawdust strewn floor of a corrugated iron built bar on the side of a desert highway as you stare at the bottom of your empty glass.  ‘The Weakest Man’ laments having to get away from a woman before being consumed by her ways. As for the soul, it seems Eddie Hinton covers ‘Everybody Needs Love’ and ‘Where’s Eddie?’ cover this base.

The characters Drive By Truckers are oft known for creating are present and correct - there’s the murderous Reverend of ‘Go-Go Boots’ and ‘The Fireplace Poker’, trying to get rid of his wife through some un-godly means to make some room for his mistress (the two songs are effectively parts one and two of the same story – think Miss Marple in Mississippi, but with a better ending).  ‘Used To Be A Cop’ tells the tale of, well, a former cop who couldn’t quite hack the lifestyle he chose.

‘The Thanksgiving Filter’ relays the everyman feeling you get during the holidays, of however much you love your family there is such thing as too much time with them, by noticing all the familial quirks of  “My Aunt's praising Palin and my niece loves Obama / My uncle came to dinner wearing his pajamas” and the fact that “Papa's building something and has since history / But what he's building is still a mystery / It's big and it's twisting and shaped convoluted / It don't have a function but you better salute it”.

Go-Go Boots is a clever album, full of dark and dirt as well as light and laughter.  Every listen brings to attention a new line that will radically alter whatever initial thoughts you had about the corresponding song.  It’s good, old-fashioned country storytelling to good, old-fashioned country music.

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