Robyn - Body Talk
- Written by Milen Jonas
Miss Robin Miriam Carlsson, aka Swedish pop sensation Robyn’s latest record is actually the third and final chapter in a series of three albums that fall under the name Body Talk. There has been great critical acclaim gained as well as a new fan base conquered in the five years since Robyn released her last self titled album. It’s actually hard to believe that this is the blond energetic teenager who took the Swedish charts by storm with her hip hop style and soulful rnb vocals in mid 90s. Robyn who has since then founded her own record label, Konichiwa Records, now embodies a sense of determination and growth. It’s clear that she is doing things her way.
The album showcases Robyn’s artistic abilities refreshingly in what can only be described as her most creative and personal project yet. Body Talk rounds up the best tracks from the past five months with the addition of three new songs and two previously released pieces of music in a slightly reworked format, like the earlier acoustic ‘Indestructible’ and ‘Hang With Me’ - two songs about uneven and fearless love relations, that work just as well with the avant-garde dance production of Swedish producer Klas Ahlund. Long time creative partner in crime Ahlund also produced the majority of the album with few exceptions such as Danish/Icelandic duo Royksopp, and fellow Swede Kleerup.
It’s fairly evident that Robyn is quick to switch up the mood with her clever song writing, while conveying honest and humorous emotions. Not one to mince her words, the again Ahlund produced ‘Don’t Fucking Tell Me What To Do’ hilariously showcases Robyn’s frustrations concerning modern day stress in a robotic manner. ‘You Should Know Better’ featuring hip hop veteran Snoop Dogg is equally entertaining, allowing Robyn to dabble in the art of rap herself, creating playful synth-pop. The sound grows more and more mechanical as you go through the tracks with the exception of Diplo produced ‘Dancehall Queen’ which channels dancehall inspirations.
The highly energetic tracks ‘Time Machine’ and ‘Love Kills’ present Robyn at her best with memorable choruses and infectious electro-beats. Both songs could’ve been strong chart climbers had they been released as singles. It’s safe to say that Robyn has entered a new realm by developing her own sound to go with her much deserved success. What you’re left with is an unapologetic and emotional piece of pop treasure.