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Physical Format-20190424

  • Published in Columns
March 2018 saw the Flying Vinyl debut of Our Girl, a band who our contributor Steven Velentzas was touting back the autumn before when we had our one outing at Blogtober. Like the tortoise I get there in the end. Though he got there first in the tale. Whatever.
 
Tracks 'Our Girl' and 'Sleeper' are housed on white vinyl and it's obvious I've been missing out through my tardiness. Shoegaze elements, soaring bits, pleasant vocals all combine to form a very appealing sound on the lead song. 'Sleeper' further states the trio's case for being amongst the best thought of indie bands of the past five decades. This one stays here. Online it shows that the band have a number of live dates coming up in the summer although I doubt I'll see them until Rockaway Beach in 2020.
 
Sharky gets turquoise vinyl for her efforts 'Hawaii' and 'Cause And Effect'. I had to check I'd not put the deck onto a previously unknown 78rpm setting, such is the Pinky & Perky sound of the falsetto which eminates from the first song. It's debateable whether an auto-tuned voice would actually sound more natural. Beat-wise the song is pretty good but the vocals are too comic for me. The B side is in fact Sharky's first single and was apparently played a lot on 6music a year ago. I don't recall hearing it. Nobody's bought a copy on Discogs since last summer but I'll see if I can get £4 for it. Rather hard to find Sharky's online presence but it doesn't look like much has been happening (here) since this disc came out.
 
Boniface's 'Phantom Limbs' rushes out of the speakers to begin with but, before you can get all arm wavy, it calms down for the verse before giving you the release at the chorus. Unfortunately Flying Vinyl have decided that the band's hometown of Winnipeg is in the USA rather than Canada but, that error not withstanding they've done them a solid by releasing this upbeat number. Sylvan Esso fans will be quite taken with it. 'For Love' is a piano-led beast of a different nature entirely. Pleasant but not a keeper. Facebook shows the band are still getting shit done and that you'll possibly see them if you're off to see Foals.
 
Juke Lucid seem to aim for the middle of the road and a future as a wedding band with the pallid 'Move Maker'. This is not the sort of music that will inspire you to do anything other than become an Estate Agent, or to radically change what you listen to in ordr to avoid such a fate. 'Parallel Vision' works well as an instrumental and it's clear why it was the band's debut single, being more assured than the A side on this disc. That trick though perpetuates that annoying moment in the '90s when record companies decided to start releasing multiple versions of songs across different formats, in the hope (no doubt successful at the time) of conning punters into buying the same thing often just for (often crappy) B sides. For sale it goes though as it turns out it has vocals after all. Online it seems the band have been silent since last summer.
 
Brandon Can't Dance keeps it moody on 'Pop Queen Of The Teen Scene'. Apparently it's led to him being compared to Morrissey. I'm not sure who comes off worse with that association. 'Dead Growing' is raw, groany & a bit more upbeat at least but Evan Dando he ain't. No one's bought the disc recently on Discogs despite (as is the case with the previous disc) 10 folk selling it and four apparently wanting it but I'll list it all the same. BCD doesn't have a large online footprint but his bandcamp indicates not much has been going on since last summer.
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The Winachi Tribe - Transition

  • Published in Singles

 

I’m heading off to Derbyshire this weekend for Bearded Theory and one of the things I am most looking forward to is seeing Winachi Tribe live for the first time. Having followed the band for a few years now, this new single is a great appetiser for the full show. It’s impossible to talk about the Winachis without mentioning Sly Stone, Black Grape and Grandmaster Flash. Similarly, it’s hard to hear the band without being reminded of the aforementioned bands.

The Manchester dance vibe is strong with them. Ian Brown prompted them to choose the name of the group and Brown’s percussionist Inder Goldfinger is a central member of the Tribe. Like Brown’s solo work, The Winachi Tribe mix funk guitars and ‘90s synths with irresistible grooves. ‘Transition’ is exactly what you would expect from the band based on their track record. They haven’t let their time in Hollywood effect the music either. The production on ‘Transition’ sounds like a step up from previous recordings but they recorded it themselves.

Winachi Tribe sound like a sister group to our Blogtober headliners, Makings. The combination of intelligent lyrics and infectious beats make for a heady buzz. Liam Croker’s lyrics are singable but original; at least in their subject matter. Speaking to him recently, he pointed out the influence of Match Of The Day host Gary Lineker in the chorus, and also credits his Mum with some inspiration. The bridge of “Don’t let the grass grow beneath your feet” is Croker paraphrasing one of his mother’s favourite idioms.

‘Transition’ is a booty shaker with a positive message. It’s exactly what we need in these trying times. If you’re at the showcase stage on Saturday, and see a sunburned Irish guy, dancing like an eejit, come and say hi!

Transition can be purchased from beatport.

 

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