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Physical Format-20190313

We've reached September 2017 in this retroactive exercise of reviewing the Flying Vinyl singles I've had gathering dust. So far four out of ten have been either listed for sale on Discogs or failed to sell for 50p at a flea market & thence gone up on display in my kitchen window. What fate awaits the next five?
 
Alvvays get a fetching transparent orange for their disc of 'In Undertow' and 'Dreams Tonite'. The A side must be one of the more memorable releases in the Flying Vinyl canon, getting a fair bit of airplay on 6 Music three years after they caught people's attention with 'Archie, Marry Me'. Enough for me to recognise it all these months later anyway & it's certainly not unpleasant to hear it again. 'Dreams Tonite' is a slower, dreamier song than 'In Undertow' & so fine as a B side. A nice pairing on the whole. I thought they'd shot their bolt with 'Archie' but they've probably a few years left in them although their website shows no activity since last summer. 
 
Transparent pink is the order of the day for London trio Calva Louise. 'I'm Gonna Do Well' races along nicely in a surf-pop vein - good riffage, quirky synth parts and some top notch screaming. So enjoyable in fact that I'm going to turn up the volume and play it again. B side 'Getting Closer' begins in more ponderous fashion but the guitar thrashes early on hold promise & sure enough we get some epic screaming not that long intp the song. This is probably my favourite disc of the three months I've so far written up. Their Facebook shows them to be on tour in the UK at the moment, in support of LP Rhinoceros.
 
Francobollo hail from Sweden. 'Future Lover' sounds like Pavement at their heaviest, which is no bad thing. As it progresses though Weezer at their roughest come to mind and after that point they've lost me. Being very quiet, like Elmer Fudd, just so you can then be VERY LOUD is pretty dull on the whole. I can't imagine this coming over at all well live. B side 'Finally' is acoustic, something I fail to see the point of when the tune was obviously written to be played electrically. Discogs reckons I could possibly get £8.70 for it so listed it is. From a look elsewhere online it seems the band have been quiet since summer 2017.
 
Geowulf get no points for their name. Boy/girl duos are ten-a-penny & this pair sound no different from the likes of Joy Zipper (who I'd forgotten about until going through 7"s to donate the other day. Hung on to theirs for now though) etc. 'Saltwater' is decent enough pop, particularly the instrumental break midway through, whilst B side 'Drink Too Much' is also equally pleasant in recounting how Star Kendrick is apparently a bit of a handful when she has a skinful. It may not of course be autobiographical. Hedging my bets here as I'm keeping it but also listing it, seeing as double figures are a possibility and it has a decent sales history. The pair are active this week at the SXSW love-in so clearly still a viable outfit.
 
Last up this time around, appropriately you could say, comes Turtle. Typically for Flying Vinyl, at least at this point in its history, the tracks on here ('Calculate' and 'Blood Type') are listed in the opposite order on the sleeve but then described as A & B respectively in the box's accompanying booklet. Whichever is which both are good slices of electronic music at the darker (but still tuneful) end of the spectrum. After finishing this piece I'll be seeking out the Turtle album, Human. 2017 also seems to be the last time that Turtle produced anything.
 
 
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Physical Format-20190227

Edition two of our new irregular column finds us progressing into August 2017 with the Flying Vinyl selection for that month. Three of July's releases were culled from the collection after the previous column so let's see how many survive this time.
 
First up, on transparent rose-coloured vinyl, were Estrons with 'Strobe Lights' backed with 'Glasgow Kisses'. The A side's a punchy, speedy & nonsense-free introduction to the Glaswegian group, marred only by the fact that my copy appears to have a jump in it. Getting five singles new for £20 unfortunately maybe means a drop off in the quality of the manufacture. The B Side is more of the same (minus the jump) and is over way to soon. Another good initial disc. Fast forwarding to 2019 and the band had a new video out last month (here) and hit the road on tour next month. Their sound appears to have gone a bit pop unfortunately. 
 
Reading's Palm Honey offer up 'Starving Hysterical Naked', one song split into two parts over the sides of their disc. This month's booklet describes the song as "expansive" but, by the halfway point of Part One I can only imagine it boring me senseless if experienced live. Just after typing that last sentence it actually went silent, before lumbering back into a bit of riffing. A CD would possibly have given this the release it deserved (or an mp3 ...), so as to see what the band were trying to do over the length of the whole piece but, as it is, the whimsy that turns up in Part Two (there are also tortuous guitar strangling bits) just sounds like they're trying too hard at too many things. It seems to be about suicide though. According to Facebook the band have done nothing since May 2018, although that could be fake news.
 
Hey Charlie get transparent red for their single (an EP has more than two tracks) 'Young & Lonesome' and 'She Looks Like A Dreamer'. 18 months ago their name was apparently "on the tips of everyone's tongues". Surely not for the A side here, which is a dull plodder if ever there was one. They manage though to dig out a funky bassline, some swearing and a good, meaty riff on the second song, however (causing my girlfriend to compare them to L7, though apparently unfavourably). For me though this track has a lot going for it. The trio are finishing a headline tour of the UK as this piece is published and have festival dates later in the year.
 
On the month's penultimate disc JW Ridley gives us 'Blitz' & '1990'. The first song has a broody, darkwave thing going on and The Smiths are an obvious comparison too. Hearing this now it's actually a surprise it doesn't ring a bell, given that it sounds good enough to have deserved radio play at the time. '1990' is a slower effort, perfectly suited to its place on the disc. Lovers being emotionally reunited in a film is what this could score. JW has live dates coming up in the UK in Spring and a new video here.
 
Finally for this time around we get to London duo Sides, performing 'Feel Better' and 'Do Tell'. "Inoffensive pop" is the first thing that comes into my head as the needle progesses around the A side. It's pretty danceable too. Possibly it overstays its welcome just a tad by the end. 'Do Tell' is more of the same (as if it would be radically different). Pleasant and equally of use in public spaces on a low volume or in more social environments to break down those inhibitions. Due to their name ithe internet is throwing up a lot of stuff clearly nothing to do with the duo (& I doubt they've morphed into a metalcore quintet) so unfortunately I've no idea what they're up to right now.
 
Only one culled this week.
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Physical Format-20190220

 

Having finally plugged my speakers back into my amp after relocating the stereo & jettisoning the CD player (and slowly trying to flog off the discs) it’s now possible for me to play the Flying Vinyl 7”s I’ve been amassing since July 2017. I’d have heard the tunes way before now if not for the subscription label’s anti-digital stance. Not a drama as that was clear from the start. There’s something like 200 songs to be got through so let’s crack on with the first month I received.

Taking them in the order displayed on the front of the accompanying pamphlet first up is Bloody Knees with 'Not Done' and 'I Want It All' (hopefully not a cover of the Queen song). The A side actually rings a vague bell so this is probably one of the months selections which actually got a play at the time of release. 'Not Done' is well weighted, fun & crunchy with an obviously pit-inducing pace and enjoyably anthemic lyrics which are howled out for the duration. 'I Want It All' is slower & more grunge than punk so, whilst an obvious B side I can't say it pushes any buttons for me. They appear to have been quiet since the release of their You Can Have It album last October.

Next up is Mellow Gang with 'Vendetta' & 'Lagoon (Solina)'. The mention of Lana Del Ray in the booklet in relation to the vocals here is clearly apt from the off. 'Vendetta' swirls around the place in a shoegazy melange. What's being sung about? No idea. Things are even less clear on the B side, which may not actually employ full words. Reasonably pleasant but probably not quite mellow enough for successful background music. The web indicates they've had no releases in the past year.   

Bloody Knees had the first of this month's two coloured discs (translucent bottle green) and Mellow Gang's is clear. The first black vinyl showcases 'Count Me Out' and 'Heartbreaker' by Berlin's Weirdo & Co. Being unable to live without someone's love (which they would if they could) is the theme of the A side. The Pet Shop Boys have probably done this sort of thing better. Not my sort of pop. At the switch over it turns out I've played the songs in the wrong order and the A side is in fact the worse of the two. I definitely need to see if I can get anything for this either on Discogs or at the flea market at the weekend. The band's Facebook page seems to have been pretty quiet since last Spring.

The penultimate 45 from 20 months ago comes from Theo Verney, someone I've liked since first seeing him play at Long Division a few years ago. We should be on safe ground here. 'Mind Fire' doesn't have the oomph I was expecting and, whilst it's at a better than plodding pace I don't finish playing it to the end. 'Letter Down' doesn't measurably speed things up but it does have some nicely weighty guitar parts bracketing the chilled out verses. Theo also unfortunately seems to have been quiet on the release front in the past few months.

Lastly we get to Swimming GirlsCranes initially come to mind, for the first five seconds of 'Tastes Like Money' but after that it's all pretty vacuous, calling to mind the '80s in the mainly bad way that they're recalled. Off at the halfway point. '2 Kids' has a darker quality to it but it's a bore nonetheless. A look at their online biography shows they're a rather concocted group but they do have some live dates coming up this year so you can maybe make your own mind up by seeing them in the flesh.  

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HeartSongs - 20180820

Welcome to HeartSongs, our regularly scheduled (probably) look at songs and the people who write them. We spoke to Benjamin Shaw about his new single ‘Terrible Feelings!’.

“I think ‘Terrible Feelings!’ was the first song I really sat down to write for this album. And the first new song I’d come up with in what felt like a very long time. The title came first definitely (with punctuation and everything - some of my finest work I think) and even became the inspirational album title for a while, Benjamin Shaw sings… Terrible Feelings!, I still think I missed a trick there.

At risk of a lawsuit, I’m pretty sure the melody came to me while I was listening to the only other artist from my home town of Blackpool in the UK, Jack Cooper. I’m not even sure which song because I can’t pick it out now, but the melody was nothing like his (I swear). I quickly turned it off and recorded mine on my phone there and then, and built on it from there - repeating and moving patterns and found sounds on the laptop, which seems to have become my way over the years. Shouts out Jack Cooper, he doesn’t know me, but his album Sandgrown is sweet.

Lyrically, as with most of my songs, it started out as a collection of short insults about my work colleagues that I put into Google Keep whenever they come into my head. My Google Keep is substantial. And then, as always, when I sit down to try and arrange the insults into an actual song and do something creative, my own head starts creeping in and the songs quickly descend into self-obsessed artistic terror, self-pity, and in this case, Dirty Dancing references.

I’m a big fan of this song though. It felt like a turning point after having not written much for a good few years. I’d finally come up with an actual song, even if it was just terrible feelings.”

Listen to ‘Terrible Feelings!’ here

Lyrics:

Terrible Feelings!

Hey apocalypse, it's nice to know you still be trying

To lift me by the hips

And make believe like I be flying away,

you're all terrible people, with terrible clothes, go away

but I don't care, I got no dog in the race

So do me a solid, do me again and again

terrible feelings but I got nothing to say

Aw hey its you, I don't forget a face

Naw I'll do it, it's a piece of cake

ah've nothing to hide, I just wanna go home today

oh it'll blow over, everyone makes mistakes

 

 

 

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HeartSongs - 20180625

Welcome to HeartSongs, our regularly scheduled (probably) look at songs and the people who write them. We spoke to Gizmo Varillas about his new song ‘One People’.

“I wrote this song on a Spanish nylon guitar, which I then replaced with an organ Latin rhythm in the recording process. I also used a Brazilian Cuica to give it a pulsating groove throughout the track and the bass is what gives the song a really punch of energy. The verse melodies have a certain African element in them - a communal call and response. There are inherent Cuban influences and rhythms imbedded in these native African grooves as well. It's an example of how two cultures are not so far apart from one another.

History shows us that, as we migrated around the world, we also took the music with us and thus culture and people's expression of it became a shared experience. It still is today, as we continue to evolve our heritage and blend our influences together to create something new. That's what, in my opinion, really connects us. And I think we should celebrate that.

The lyrics of this song are about bringing people closer together. It saddens me to see how both far left and far right groups around the world are becoming popular and how they incite violence to no avail. The way I see it is that hate can only fuel more hate and there is no solution in violence. It's a never ending cycle. It is the innocent people and families stuck in the middle - who get hurt the most. I think it's important to acknowledge the past so we can learn from our mistakes and not let them happen again. This song is a plea to get together.”

Lyrics:

We go on and on

Get together

If not us who will

Who?

 

We're one people

One people

Get together now

 

We're moving on

Now or never

If not us who will

Who?

 

Who?

We're one people

One people

Get together now

 

Gotta give it

Give it a chance

 

Who?

We're one people

One people

Get together now

 

 

 

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HeartSongs - 20180430

Welcome to HeartSongs, our regularly scheduled (probably) look at songs and the people who write them. We spoke to Oxbloods about their recent single ‘Minefield’.

Listen to 'Minefield' Here

Chris: “‘Minefield’ was originally a track from Matt's previous band. After showing it to me, we reworked the song making it more contemporary, and to an extent “poppy”. We then passed the track over to Charlie who wrote some great vocal parts and the song was essentially done. We finished it very quickly and it hasn't changed much during the recording process”.

Matt L: “It usually either starts with me or Chris writing a section or a skeleton of a song, which we then pass over to the rest of the guys to rip it apart and then work together to get it right”.

Matty A: “The recording process was quite long for the EP. We were all finishing different stages of our degrees so some sessions were weeks apart from one another. A lot of ‘Minefield’ (especially the vocals) is actually the demo tracks added in at the studio. Charlie just did such a good job the first time around we didn't redo them”.

Chris: “To me at least, playing the song online, and also live, breathes this completely different air into the song. We've spent so long keeping all our tracks locked away from the world while we finished them. So now they're out there for everyone, they suddenly feel fresh and alive like we only wrote them last weekend”.

Matt L: “There's literally no other feeling to play the songs live, there's that instant gratification which is completely different to recording the songs. Playing shows is the best part”.

Lyrics:

Do you remember the time?

Our minds were synchronized?

When did you draw the line?

Because you’re shooting in the dark

Don’t work unless you’re paid

Wipe off your masquerade

Leader of the cavalcade

But since when were you in charge?

 

All I wanna know is if all you’re gonna throw us is a lifeline,

An idea of where to go

Will you crawl back out of the grave they’ve dug out deep

Or have you lost hope in the only right you know?

You’re running low on steam when we’ve got so far to grow

‘Cause all I’ve ever known is you won’t condone promise

This is the last time, 

Are you friend or are you foe?

 

Where do you find the time to let your tact decline?

Don’t make us all recline

Because you’re taking this all too far

Just give your thoughts some space

Don’t make the passion fade

Pulling your strings again

How far will your back bend?

Your chance will come again

But for now we’re just killing time

 

All I wanna know is if all you’re gonna throw us is a lifeline,

An idea of where to go

Greed like love of comfort is fear

The smile you cast them, did you fake it?

Cause you reap what you have sewn

You’re running low on steam when we’ve got so far to grow

‘Cause all I’ve ever known is you won’t condone promise

This is the last time, 

Are you friend or are you foe?

 

All I wanna know is

All I’ve ever known is

All I wanna know is

All you’ll ever know is

 

All I wanna know is if all you’re gonna throw us is a lifeline,

An idea of where to go

Beg the question, 

Bend truth to fuel your misdemeanors with the wrong souls,

Just to feel you’re in control

You’re running low on steam when we’ve got so far to grow

‘Cause all I’ve ever known is you won’t condone promise

This is the last time, 

Are you friend or are you foe?

 

 

 

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