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In Pictures : Caribou, Brixton Academy, London

Currently touring in support of the recently expanded Our Love album Dan Snaith and the live incarnation of Caribou appeared at London's Brixton Academy on the night of March 14.

Pedro Garcia headed along on the night to record the band's performance for Musos' Guide.

Further images from the show can be found on Flickr here.

Caribou next play London over June 6 & 7 at Field Day & Parklife.

 

Our Love is available from amazon & iTunes.

 

 

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In Pictures : Underworld, Eventim Apollo, London

Underworld are currently marking the 20th anniversary of the release of their seminal Dubnobasswithmyheadman album with a return to live performance.

Pedro Garcia went along to London's Eventim Apollo to record the band's performance on March 06.

Underworld's tour continues in Glasgow at the Royal Concert Hall on March 12 (tickets here) before sold out dates in Manchester & Gateshead after which they take the show to the continent and then Camp Bestival (tickets) and Bestival (tickets) on August 02 and September 10 respectively.

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In Pictures : The Mavericks, Eventim Apollo, London

The Mavericks are currently on their Mono Mundo Tour in support of their latest full-length release Mono, which came out last month. Nick Bennett headed along to London's Eventim Apollo to capture the band in full flight.

The band's tour continues across Europe and North America right through Spring & Summer. Further images from this show can be viewed here.

Mono is available from amazon & iTunes.

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In Pictures : Nite Fields, The Old Blue Last, London

  

 

 

 

 

 

 

 

 

                       Brisbane's Nite Fields were at London's Old Blue Last a few days ago in the process of touring their Depersonalisation album. Boglarka Caup went along for Musos' Guide to record the live action.

Further shots from the gig can be found here and Depersonalisation can be accessed here.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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The Ukelele — The Instrument That Punches Above its Weight

For years, the humble ukulele has had something of an image problem. Whether it is to do with Tiny Tim tip-toeing through 'Tulips' or George Formby 'Leaning On A Lamppost' (with his ukulele banjo), the diminutive four stringed instrument has had a problem with how it is seen in the public eye.

While the ukelele does, perhaps, have a better image than the banjo, bagpipe, or accordion, it is not as well loved as the guitar, violin, or the various brass instruments. However, a number of recent developments have helped the long, slow rehabilitation of the instrument. First, there was the successful formation of the Ukulele Orchestra Of Great Britain, who more than twenty years since their formation still sell out concert halls around the world. Second, the ukelele is also seen in the line-up of some indie folk bands, and whilst it will probably never be welcomed onto the stage at the X Factor, it’s beginning to make its presence felt. The ukulele is also climbing in the favour of young children, where it is now taught in the same music classes that used to prefer recorders and violins.

The growing popularity of the instrument, though should not be that surprising. Ukeleles are cheap, fun to play, are small and portable, and can be learnt easily. There are also models aimed squarely at the more mature rocker, with electric models available in the shapes of Gibson Flying Vs and Les Pauls, Fender Stratocasters and Telecasters. The Ukulele’s also available in many sizes, with the Soprano being the most popular (due to its size and shape), but Concert models are also made, as are Tenor models, that give a deeper sound.

It’s worth pointing out that anyone with a basic grasp of guitar, or any of the fretted stringed instruments, already has a head start, and the four strings of the Ukulele can be tuned to any selection of notes. If a ukelele is tuned to G-D-A-E, then it’s perfectly suited to mandolin, bouzouki, and violin players, while other tunings make it more accessible to guitarists and players of other stringed instruments.

There’s not a great deal of music written specifially for the ukulele, due to its relative youth as an instrument, and its primary use is in Hawaiian music, so the modern repertoire is taken from both the classical and pop fields. The nylon strings of the uke mean that the solo sound has a similar resonance to a classical guitar, and with a lot of two finger chords, new songs and ideas are easy to find and develop.

Obviously, as with all instruments, there are models to suit for every budget, and some of the very cheap models are little more than toys. £30, however, will buy a very decent Soprano model, while £100’s can be paid for very high quality instruments.

The Ukulele is an entry level instrument for anyone who wants to go from playing Guitar Hero to playing music, and as a source of entertainment is cheaper and uses less electricity than the game. So if your New Year’s resolution is to learn a musical instrument then the Ukulele is a good place to start. And don’t worry, you won’t be laughed at as much as you fear — this little four stringed instrument has afficionados everywhere!

For general information about the Ukulele, and information about local groups, visit www.mightyukelele.co.uk 

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2014 In Music - Editor In Chief's View

Having started off 2014 in a healthy state it’s safe to say that the malware infection which threw the Wordpress version of Muso’s Guide off track in the spring was a setback that we’ve been slow to get back up to speed from. Contributors disappearing into thin air over the past few months has also obviously been less than helpful in a year that, initially, was shaping up to be extremely good – we’d covered our first festival in the USA, reviews were being published at a rate seldom before witnessed and UK & European festival coverage was on the increase. Significant progress was also being made in the area of music-related books.

We’re still here though and as committed as ever to reviewing whatever we feel like, agenda-free and entirely honestly & whilst the past 12 months have thrown up challenges we’d definitely not anticipated it’s not been a bad year for music. I’ve personally thoroughly enjoyed my experiences at all of the festivals I’ve covered (Liverpool Psych Fest, Le Guess Who? & Long Division all for the second time and Beaches Brew & Bradford’s Threadfest for the first times). Practically everywhere you look now has a similar urban event going on at some point in the year so 2015 will see coverage from those already mentioned as well as the likes of Hipsville and a look at what Ghent & St. Malo have to offer.

On the recorded music front I’ve lost track of the enjoyable individual songs that have leapt out at me at various times across various platforms but we’ve tried to corral those we’ve particularly enjoyed on our soundcloud-hosted Underexposed playlists as well as collating the bigger named acts in a similar manner over on Rdio. As for albums keeping an ongoing list for the purposes of reference in this article has as ever been invaluable.

In no particular order then I can safely see myself still caring enough to be listening to the following in the year ahead:- Quilt’s Held In Splendor, Holy Wave’s Relax, Mark Morriss’s A Flash Of Darkness (which benefits greatly from his voice sounding a tad cheerier than with The Bluetones), The Faint’s Doom Abuse (possibly their best album yet), Chiaroscuro by I Break Horses, East India Youth’s Total Strife Forever, Bleeding Rainbow’s Interrupt, Pontiak’s Innocence, SkatersManhattan, from way back in December 2013 The Frowning CloudsWhereabouts (the only act amongst this lot who’ve managed to have another album out in the same 12 month period), Todd Terje’s It’s Album Time, Cuello’s Modo Eterno, Luminous by The Horrors (who’ve managed to fully change their spots with a work that came close to being played to death), Clipping’s Clppng, White Fence’s For The Recently Found Innocent and, finally, the musical riot that is the self-titled debut from Meatbodies.

Gig-wise Augustines, Teenage Fanclub, Muck And The Mires & The Black Lips stand out for me but the bulk of performances taken in were during the previously mentioned festivals with Gnod, White Hills, Nissenmondai, Theo Verney, The VaselinesEinstürzende Neubauten all delivering brilliantly (the latter being the best performance for this and many previous years combined). 2015 has a lot to live up to. 

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