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Marky Edison

Marky Edison

The Nearlies Release Ghost Rock

The Nearlies was formed in early 2008 in France. Combining only vocals, guitar, bass and drums, The Nearlies create an evocative musical world that transports the listener to the Ghost Rock mood, which is their first album.

The musical style of The Nearlies lies somewhere between The Shadows and Motörhead with ‘60s garage overtones.

In 1995-1996 before moving from Finland to France The Nearlies’ six stringer played a stunt guitar in Flaming Sideburns gigs and early recordings while Mr. Burns or Mr. Ski were away touring with their other bands.

01. Granny B

02. Two Wrongs

03. Vultures

04. Hill of False Hope

05. Tango Fiction

06. Pinjata

07. Two-Twenty

08. Angel Sometimes

 

 

Susanna Shares ‘Burial’ Baudelaire Interpretation

 

 

After recently announcing her new album, Baudelaire & Piano, set for release September 11 via SusannaSonata, Norwegian artist Susanna is sharing the second single from the record with new track ‘Burial’. “‘Burial’ was one of the first poems I re-worked for this project - I am deeply fascinated by the thrilling images Baudelaire is able to provide with such few words. A haunting short story.” Susanna says.

 

What would French poet Charles Baudelaire (1821-67) have made of the events of 2020? An artist who took his disgust with life to the streets, who constantly shook his fist at authority, and a literary enfant terrible who suffered from disease most of his life. His poetry has been set to music by everyone from Claude Debussy to Ali Akbar Khan, and his uncompromising life and art influenced the music of The Doors, Bob Dylan and Scott Walker. Now his abject, decadent verse is the backbone of the latest release by Norwegian vocalist/composer Susanna.

 

Susanna’s 2019 album Garden of Earthly Delights (with her group the Brotherhood of Our Lady) featured musical interpretations of the surreal medieval paintings of Hieronymous Bosch. Baudelaire & Piano – recorded at Atlantis Studio in Stockholm – is a tribute to another of her artistic heroes and mentors.

 

This is a record made in isolation, stripped back to just her expressive, soulful voice and skeletal, trancelike piano playing. The light touch allows the extraordinary qualities of Baudelaire’s writing to shine through. "I wanted to approach this material in an almost dogmatic way,’ she says, ‘to present the songs in a naked, stripped-down form, alone at the piano. These poems have so many layers and contain such rich expanding emotions to me."

 

Like much of Baudelaire’s work, Susanna’s music probes the limits of desire, and confronts the simultaneous wonder and meaningless of existence. He is often considered one of the first modern poets, whose urban observations frequently dipped into fantasy, sensuality, fevered imagings and eerie horror. Susanna’s selection of ten texts from his masterwork The Flowers of Evil (translated by Anthony MorCmer) cover the full spectrum of Baudelaire’s conflicted expression.

 

Here you’ll find a creepy cast of witches, pagans, wolves, perverts, thugs, ghosts, vampires and demons. The songs struggle with lust and saintliness, angels and demons, tenderness and sadism, and the relentless march of time, the destroyer. Beauty with an edge of strangeness. Sin as a swallowing abyss. In Susanna’s haunting settings and performance, the poetry of Baudelaire has found its ideal transmitter.

 

 

'Baudelaire & Piano' track list:

 

1. The Dancing Snake

 

2. Longing for Nothingness

 

3. The Enemy

 

4. Burial

 

5. Meditation

 

6. Obsession

 

7. The Vampire

 

8. The Harmony of Evening

 

9. A Pagan’s Prayer

 

10. The Ghost

 

 

 

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