The Hot Five – My favourite new tracks of the week, usually rounded off with a classic, obscure or alternate track from my music collection.

Track of the week: Trwbador – ‘Breakthrough’ (feat. ESSA)

Welsh Music Prize-nominees Trwbador always make for interesting listen; their unique brand of “dance floor tinged acoustic electronica” has been making waves since the release of the It Snowed A Lot This Year EP on their own Owlet Music in 2010. ‘Breakthrough’ sees the Welsh duo successfully collaborate with Eton-educated rapper ESSA, who has previously collaborated with Wu-Tang Clan and De La Soul among other artists. The resulting fusion of electronic and hip hop styles creates an eclectic sound, ESSA’s thought-provoking lyrics flow effortlessly over a tranquil harp melody, synthesisers, and processed beats. Trwbador’s new album, Several Animals, will be released on August 11.

GOAT – ‘Hide From The Sun’

Do you ever have one of those days where you feel that you aren’t quite getting enough Swedish psychedelia? If that’s the case, then this is the song for you. Released as the first single from the band’s second album, Commune, ‘Hide From The Sun’ marries distorted guitars with sitar and table to create something refreshingly different. GOAT have a great reputation for their intense live shows, and will be performing at festivals throughout the summer before embarking on their first full European tour, which includes the Liverpool International Festival Of Psychedelia in September finishes at the Camden Roundhouse on October 3. Commune will be released on September 22.

The Gaslight Anthem – ‘Get Hurt’

Having spent time recording with Mike Crossey (Arctic Monkeys, Jake Bugg) at Blackbird Studios in Nashville, The Gaslight Anthem are back with their impressive new single, ‘Get Hurt’. There’s a subtly to the track’s arrangement; Brian Fallow’s vocal provides great character in the opening exchanges before the track expands into a well-worked chorus and beyond. August 11 sees the release of the band’s fifth studio album, also titled Get Hurt, which will be followed by five UK tour dates this November.

Zola Blood – ‘Grace’

Little is known about the mysterious Zola Blood, recently signed to long-dormant record label Pond Life. The ambience of their first release, ‘Grace’, only encourages the shadowy image of the London-based band, and the down-tempo electronica on show is complimented by a strong, reverberating vocal performance. Unfortunately not much else is known about Zola Blood, but it is clear that ‘Grace’ demonstrates the potential for more track of this high quality in the near future.

Hidden track of the week: The Libertines – ‘Can’t Stand Me Now’

On the last weekend of June, The Libertines returned with their first gig in four years. Since then they’ve followed it up with a set at British Summer Time, which sparked safety concerns due to the enthusiasm of the 60,000 strong crowd in London’s Hyde Park. Their live shows have been receiving great reviews, and it appears that their long-awaited comeback is a success, so here’s my contribution the Libertines hype: 2004’s ‘Can’t Stand Me Now’, a classic.

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The Hot Five – My favourite new tracks of the week, usually rounded off with a classic, obscure or alternate track from my music collection. Tracks usually concentrate on guitar-based music, but really focus on anything and everything that I come across.

Track of the week: Novo Amor & Ed Tullett – ‘Faux’

There aren’t many songs that captivate you from the first listen, but for me this was really one that really did. The track’s reverberating falsetto vocals remind me of Vancouver Sleep Clinic and London Grammar, and the sense of space created gives it a very current sound. There’s a beauty about the laid back, well-produced atmosphere that is created by Cardiff-based Ali Lacey and Brighton’s Ed Tullett in this collaboration, so it’ll be good to hear what these two artists come up with next.

George Ezra – ‘Cassy O’

It’s been a busy week for George Ezra… After a massive show at the John Peel, and a number of smaller gigs across Glastonbury over the weekend, Ezra’s debut album was released on Monday. This song was very well received by the large Saturday crowd, and has gained some acclaim despite never being released as an official single. The 21-year-old delivered an impressive performance, which suggests good things about Wanted On Voyage, which is available now.

Royal Blood – ‘Figure It Out’

Royal Blood were another band to emerge triumphant at Worthy Farm. I apologise if news from Glastonbury is getting rather frustrating or old now, but Royal Blood provided one of the most energetic sets of the weekend. New single ‘Figure It Out’ maintains the high quality heard in ‘Out Of The Black’, ‘Little Monster’, and ‘Come On Over’, with a great rock hook in the chorus that has embarrassingly got me playing air guitar around the house all day.

Seeing as this is Musos' Guide, I don’t feel bad in telling all you muso’s that Royal Blood are releasing a special edition white vinyl version of debut album Royal Blood. The album will be available from August 18.

Bon Iver – ‘Heavenly Father’

First thing’s first, this isn’t necessarily what I expected it to be. The sampling of Justin Vernon’s vocal at the beginning of this track disguises the track before that unmistakable Bon Iver vocal enters. There are some great harmonies in here, and the arrangement of the track is both creative and rewarding. ‘Heavenly Father’ will appear on the soundtrack to new movie Wish I Was Here, which stars Scrubs’ Zach Braff.

Hidden track of the week: Arcade Fire – ‘Wake Up’

Despite pulling off one of the greatest headline sets I have ever witnessed, it seems that Arcade Fire have had the least attention of the three Glastonbury headliners this year. Potentially it’s because they’re the act that requires the least justification for a headline slot, while much media attention has focused on the more controversial inclusion of Metallica. A set crammed full of hits, riffs, and energy culminated in a massive rendition of the classic ‘Wake Up’, taken from their 2004 album Funeral.

You can follow Tom on twitter @tom_fake