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15 Great Songs About Happiness And Good Times - Part Two

9. Stevie Wonder - 'For Once In My Life'

Although some philosophers or psychologists  may criticise Stevie Wonder's idea of happiness, or at least that he sings about here, as being too dependent on that which is outside himself (i.e. "love" and "someone who needs" him) , he has plenty to say about his inner life as well as other people and perhaps other external things, making his conception of the good life far less shallow than those of many, and arguably very substantial. The classic from the film The Pursuit of Happyness [sic.] gives us the golden soundbite, "For once in my life I can go where life leads me" as well as a backdrop of typically grand Motown-grade soul.
10. Nirvana - 'Lithium'

This song's musings on the state of happiness go far beyond the opening lines "I'm so happy cause today I found my friends / They're in my head", but that quotation sets the tone pretty well, at least until the unstable, crashing-through-the-ceiling freakout of a chorus comes in. And lets not forget the lines either side of the refrains, "I'm not gonna crack". Lithium may be the name of a mood-stabilising drug (also sung about by Evanescence) but arguably this song is anything but tranquil. It remains essential listening like so many other tracks from Nevermind and Nirvana's eponymous greatest hits record. 

11. The Velvet Underground - 'We're Gonna Have A Real Good Time Together'

Lou Reed, the man behind 'Perfect Day' and the classic solo album Transformer, would have made his name with Velvet Underground first, had anyone paid significant attention when he was in the band, and the rapid-fire guitar rhythms provide evidence of his guitar prowess even in such a supposed anti-rock outfit that some would argue actually exemplifies that which it ostensibly hated: the spirit of rock 'n' roll. While many of its more blissful numbers are slower, this song which appears on the brilliant three-disc set The Complete Matrix Tapes and elsewhere creates a more frantic, foot-tapping kind of emotional high.

12. Queen - 'Don't Stop Me Now'

Possibly the greatest ever song that screams the word 'happiness' as loud as the squealings of Brian May's overdrive-laden guitar solo, few vocalists this side of Freddie Mercury could have turned in such a grandiose performance, one arguably as good as the band's earlier masterwork 'Bohemian Rhapsody'. Despite an arguably questionable comparison of the ecstatic lyricist to "an atom bomb", this is still a bona-fide classic. Its overall mood and message shows happiness in two extremes: bursts of power which threaten to overwhelm, and the more sedate but equally blissful up-in-the-heavens kind of joy.   

13. Chic - 'Good Times'

Chic describes its title subject as "a new state of mind" which was arguably the antithesis of the "stress and strife" spoken of in reggae, punk, and metal during that decade and others, trouble to which Chic's lyrics called for an end. The song was sampled liberally for the equally joyous 'Rappers Delight' by hip-hop group The Sugarhill Gang. Quotations like "why hesitate?" and "Don't be a drag, participate!" are a call to action (or, perhaps more accurately the dancefloor), while this is just one track on which lead guitarist Nile Rogers made his name, laying the foundation for his reprised role as funk guitarist extraordinaire on Daft Punk's 'Get Lucky' in 2013.

14. R.E.M. - 'Shiny Happy People'

This R.E.M. hit featuring the B-52s' Kate Pierson on vocals alongside lead singer Michael Stipe and usual backing singer/multi-instrumentalist Mike Mills has been said to be about propaganda. Indeed many posters have featured 'shiny, happy people' and many lines in this song evoke an idea of a nation joined together in harmony where "there's no time to cry" and in which "tomorrow shines". One could say that this is about as happy as it gets lyrically, a view that the musical backing does little to undermine. However, some would say  behind the apparent joy lies a sinister reality. Indeed one can think of several, hardly idyllic societies which have put out propaganda idealising their part of the world with their posters and other media full of imagery like that employed here by R.E.M.

15. James Brown And The Famous Flames - 'I Got You (I Feel Good)'
That which Presley suggested was arguably made more explicit by Brown with his screams and grunts. Also in Brown's arsenal were even better dance moves and much better music that blurred the line between rhythm-and-blues and a new kind of music, funk. Although Brown did not have the nicest upbringing if his biopic Get On Up's portrayal of his early life is anything like reality, he certainly knew how to make a song not just pleasant (like, say, 'Unchained Melody' by The Righteous Brothers) but oozing with pleasures some would call forbidden. Only Freddie Mercury and Michael Jackson can legitimately contend for the title often given to James Brown: The Godfather of Soul, and this song is evidence supporting the argument that Brown deserves that song as much as, or more than, those two.


My Giant Steps: A Journey Featuring Mental Illness And Recovery (With Music And Words)

Reflections From A Recovering Mental Patient

I proudly present to you this playlist: a musical collage, personal but relevant to many, accompanied by commentary and clickable links. I hope it will help you and maybe inspire you – as well as promoting great music, of course!

(Note: I'm not a fan of trigger warnings but feel free to skip parts of this if you find some of the music or commentary challenging.)

No title sums up many of the problems of the modern era quite like that of the playlist’s opener, ‘Virtual Insanity’, especially given the emergence of stranger-than-fiction videos like this. Meanwhile, despite being written in the Eighties and enjoying a single release in 2003, ‘Bad Day’ by R.E.M. remains relevant. Lines like “Please don’t take a picture” and “Save my own ass, screw these guys” are reminiscent of unstable, illiberal and self-centred politics in post-Brexit Britain and contemporary America, both of which hark back to another era despite an uncertain future. Sadly, I was certainly not the only one suffering from a low mood and anxiety this year.

While the songs referred to above may be, despite their social and political commentary, personal works of art that are personally affecting to audiences, it could be argued that the following two pieces of music go even deeper. Michael Kiwanuka’s ‘Worry Walks Beside Me’ speaks on not just anxiety but hopelessness to amazing effect. The title of ‘Voices’ by Alice In Chains could simply be about negative self-talk, something common if not universal. However, the track might speak about stranger phenomena, such as  some of my symptoms which are apparently psychotic and, in the past, meant I stayed in hospital several times. Regardless of the words exact meaning(s), they, alongside those of Linkin Park’s ‘By Myself’, reflect well some of my own thoughts as well as those of many other people, surely.

The beautiful Lou Reed composition ‘Candy Says’, performed by his band The Velvet Underground, speaks on “endless revisions” and dislike, or even hatred, for one’s “body and all that it requires”, speaking in these ways to a shallow and perfectionist age full of both narcissism and self-hatred, achieving such relevance despite being written in the Sixties. Next on the playlist  are ‘Given Up’ and ‘Breaking the Habit’ by Linkin Park, as well as ‘Slip Out the Back’ from the album The Rising Tied by Fort Minor (a side-project of Linkin Park’s Mike Shinoda). Those songs are – like, one might argue, ‘Candy Says’ – the epitome of despairing lyricism. My own suicidal feelings of the past, which were unjustifiable but somehow convincing at the time, are seemingly reflected in the songs mentioned in this paragraph, although thankfully I feel much better now.

The 2017 song ‘One More Light’ by Linkin Park was performed, hauntingly, shortly after Chris Cornell’s death and not long before that of Linkin Park’s own Chester Bennington, to whom tributes were paid at a music-packed ceremony in September. The title track from the band’s most recent album speaks on the devastating effect of a death on those who knew the deceased and is, despite its sadness, life-affirming as well as being death-conscious.

Helplessness Blues’ by Fleet Foxes seems to be about existential crises or the like and the struggle to define one’s identity in the world. The song’s questions and uncertainty, with those of John Lennon’s ‘How?’ speak to the trouble many mentally ill people, including myself, have after a period of illness or a breakdown, and the consequent scepticism and anxiety. That latter track by Lennon also helps, alongside Red Hot Chili Peppers’ ‘Soul to Squeeze’, to demonstrate how difficult recovery can be for the mentally ill.

One of the more optimistic songs on this list, R.E.M.’s ‘Uberlin’ splits the day into different steps to complete. This is similar to the way in which one might split a journey on the Berlin U-Bahn transport system, which is referenced in the song, into stops at different stations. Breaking days or challenges down in order to tackle them piece by piece is a good method for the mentally ill (or anyone) to use, and so could be telling oneself, “I will make it through the night” as Michael Stipe sings here.

Time Won’t Wait’ by Jamiroquai is also encouraging, although it is worth noting that, despite the helpfulness of being reminded that “you just can’t stop the clock”, Jamiroquai’s call to action should probably be tempered with sometimes following the example set by the singer of ‘Soul To Squeeze’: sometimes you “gotta take it slow” in order to find “peace of mind”. Likewise, I would not always apply R.E.M.’s lyric “Enjoy yourself with no regrets” to every situation, but the general message in ‘Supernatural Superserious’ (a title which could have sometimes been my nickname in the past) is welcome. It reminds the listener that “Everybody here comes from somewhere that they would just as soon forget or disguise”, but that we should enjoy ourselves anyway, especially since it is often true that “fantasies are wrapped up in travesties”.

Moving on, John Coltrane’s ‘Giant Steps’, the only instrumental in this playlist, arguably represents my recovery process, since it takes a great deal of skill to accomplish amid high tempos that resemble the chaos of life, as well as requiring assistance from others: even Coltrane could not play every instrument simultaneously. Audioslave’s ‘Nothing Left to Say But Goodbye’ and Linkin Park’s ‘What I’ve Done’ are also about giant steps, ones striding away from old habits, with a highlight being Bennington’s line, “As I clean this slate with the hands of uncertainty”, indicating that recovery or redemption is often a rocky road. That said, the sound of Chris Cornell of Audioslave shouting repeatedly on ‘What You Are’ the words, “Now I’m free…”, though probably in the context of ending a relationship with a person, can still be seen as very encouraging for those struggling to leave certain harmful symptoms or habits behind, even when one considers the “uncertainty” mentioned earlier.

Another great source of inspiration for me is ‘Walk’ by Foo Fighters, which is metaphorically about “learning to walk again” and “talk again”, things I have had to do in a way because of struggles with something that might be selective mutism or perhaps a condition similar to it. R.E.M’s ‘Every Day Is Yours to Win’ is another excellent, optimistic song which comes with the realistic qualifier, “It’s not all cherry pie”. ‘Iridescent’ by Linkin Park concludes the playlist, offering even more advice for those for whom “failure’s all… [they’ve] known”. The band’s wisdom is, “Remember all the sadness and frustration and let it go”. I guess that a benefit to making playlists or commentary like I have here is that completing such a project allows you to do just that.

If you have been affected by any of the themes spoken about in this article, it might help to speak to the charity Samaritans, either by a UK- or Ireland-based phone or by contacting them from anywhere via email. They have often helped me by listening.

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