The term post-dubstep has bandied about quite a lot over the past few months – with James Blake warping early ‘00s R’n’B into angular, brittle forms on his CMYK EP and then piecing fragments of piano with shards of voices on his forthcoming Klavierwerke EP, as well as Mount Kimbie following their strong EPs with the brighter spaces of their Crooks and Lovers album. Arthur Cayzer, the man now known as Pariah isn’t so much post-dubstep as post-everything – UKG, Dilla, maybe even FlyLo. The result is Safehouses, essentially a double EP that strides across genres with an almost naïve self-confidence.