HAAi and Mute are launch the label’s latest signing with an EP release, Systems Up, Windows Down, out now. Signing to Mute is a dream come true for HAAi. She first came to attention via a remix for Daniel Avery, from there the rest is history: in addition to the new EP, she is starting to ready an album, which she says will have a more modern and contemporary sound. “I'm really excited about being part of Mute, it blows my mind to think I have the support and encouragement to do all the things I would like to do and maybe I wouldn't have had the confidence to do on my own.” HAAi is already eager for the next stage of her producing career, spending more time in the studio to record with live instruments and working with other musicians - “to make the whole process a bit more three dimensional.”

The new EP, Systems Up, Windows Down feels like an evolution from the previous releases on her own label. With a more mature, dancefloor focused sound, full of heavy basslines, breaks and crisp percussive electronics, she has experiment more and pushed the boundaries of her production. The title of the EP harks back to a youth far from the club circuit in remote rural Australia where there wasn't a hell of a lot to do. Weekends were spent driving around the town, along the coast and beach roads, with the windows down blasting music from car radios. ‘6666’, the last addition to the EP, was initially composed for the Genesis stage at Glastonbury and has since grown to be a monster of a tune, adding a tougher element to the EP.

The Australian-born London-based DJ, aka Teneil Throssell, rose from the ashes of a disbanded psych band, where she was vocalist and guitar player and, inspired by a chance trip to Berghain, started DJing by digging into a wealth of music on the psychedelic spectrum from around the globe. Her Coconut Beats parties in Dalston led to shows on Rinse FM and Worldwide FM, and eventually to a prestigious residency at the London club Phonox where Throssell played Saturday nights for two years (up until autumn 2018).

As her residency came to end, BBC Radio 1 broadcast her Essential Mix which went on to win the accolade of the Essential Mix of the Year, alumni of which include Helena Hauff, Caribou, Flying Lotus, Nicolas Jaar and Ben Klock.  HAAi was then granted a monthly Radio 1 slot, which continues into 2020.

FORTHCOMING EVENTS

29 Nov - Shine, Belfast – With Ben Klock (UK)

30 Nov - The Warehouse Project, Manchester – With BICEP (UK)

25 Jan - HAAi Curates, Motion, Bristol (UK)

01 Feb – The Bullingdon, Oxford (UK)

Throbbing Gristle announce the next phase of their reissues series with the release of Part Two: The Endless Not, TG Now and A Souvenir of Camber Sands, out on CD and limited edition vinyl on December 13. In 2004 Chris Carter, Peter Christopherson, Genesis P-Orridge and Cosey Fanni Tutti reformed - 23 years after their mission was originally terminated - and between 2004 and 2007 the band released 14 new studio tracks and a live album of their appearance at ATP's Nightmare Before Christmas in Camber Sands.

TG Now, originally released in 2004, was the sound of Throbbing Gristle testing the waters, seeing how it felt to work together again. The four-track limited vinyl and CD release was available originally to attendees of the RE-TG Astoria event in 2004, their first performance together since 1981’s US tour.

With Part Two: The Endless Not, the band returned to the studio after deciding they had unfinished creative business outside of the live arena. Released in 2007, over 25 years after their last studio album, the album was, as Tiny Mix Tapes put it, “…more of a rebirthing than a reunion”. Several live documents followed the album’s release, but the untimely death of Peter Christopherson in November 2010 meant that this would become the final Throbbing Gristle album, and 15 years since the reformation, all the albums included in this phase of the remastered reissues, Part Two: The Endless Not, TG Now and A Souvenir of Camber Sands, stand proudly within the influential catalogue and legacy of TG.

Throbbing Gristle are renowned for their documentation of live performances, TG24 (which was reissued in 2002) and TG+ (released in 2004) collated their live recordings up until the band disbanded. This release reactivated the band’s live performance releases that include Thirty Second Annual Report (from La Villette, Paris) and the Desertshore Installation (from the ICA, London).