It sometimes feels as if you can’t move two clicks of the mouse these days without encountering someone throwing lavish amounts of hyperbolic praise at James Blake; so much so that it feels almost intimidating to have to offer one’s own meagre opinion on the matter. This becomes especially true when the musician in question operates within the ever-widening field of dubstep – a genre breaking new ground on an almost hourly basis, leaving semi-informed critics struggling to tread water. But thankfully James Blake explodes such superficial notions of zeitgeist, hipster posturing and genre distinctions. This is, quite simply, really good music, whatever meaningless post-insertgenrehere label you might feel the need to stick on it.