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Festival Preview : Hipsville Carnival A-Go-Go, Bordon

New year, new venue for Hipsville as it shifts from Bisley to Bordon for its fourth weekender. This means more camping for those heading along but the site's fully set up for that, rather than just being a random field with portaloos as at some events.

On stage The Jackets make a return and are joined across the three days by upcoming frenetic US duo Archie & The Bunkers, the astounding Baron Four, the ever reliable Widebeests, an expanded MFC Chicken, hot French property The Missing Souls (the highlight of last year's Cosmic Trip & set to make splash this year), Stags/Shook-Ups combination Davros & The Space Deviants and a rake more.

Tickets are £65 (& include your camping pitch) and can be purchased via the event website here.

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Festival Preview : Pop! South Weekender, Glasgow

Having recently almost doubled the event line-up now seems like an excellent time to report on Pop! South's 2016 weekender at Glasgow's Glad Cafe.

Alongside the previously announced likes of TRUST FUND, The School, MJ Hibbett & The Validators, Milky Wimpshake and Breakfast MUFF (last enjoyed by us supporting The Spook School at their album launch) you can now also get your indie kicks from such luminaries as Duglas T. Stewart, ChorusgirlThe Catenary Wires, Pete Astor and a load more.

Tickets for the 12 - 14 February event are only £22 and can be obtained from here, along with further details of the event and this year's charitable connection.

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Festival Preview : Garageville, Hamburg


Now that the dreary old festive season's out of the way it's time to get thinking about the festival season (which, if you play your cards right, can last the other 11 months of the year). Here at Musos' Guide the first event to excite us, in what promises to be a packed year for such things, is the 5th iteration of Hamburg's Garageville. A relatively small event as such things go it does though offer up a boat cruise disco on the mighty Elbe river on its third day. Small ones are more juicy anyway.

Over the weekend of 8-10 April then, over two venues (the Hafenklang & the Molotow MusikClub), you can expect to see the likes of the fantastic Strollers, King Salami & The Cumberland 3, Norway's Scumbugs, Germany's own Trash Templars and a host more.

Weekend tickets are 32 euros (boat ticket extra) and information on obtaining those as well as suggested places to stay, record stores to vist etc. can be found here.

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The Wildebeests, Franklin Rock 'N' Roll Club, Edinburgh

 

In the latter half of this year France has been providing the cream of the garage band crop in the shape of The Missing Souls, The Arrogants & Les Gry Grys. The No Things benefit from their own French Connection in the shape of frontman Laurent Mombel and musically they rank comfortably alongside those fully French groups.

A less Francophone unit than Mombel's Les BOF! the quartet allows him possibly even greater freedom of expression than that band. Always an energetic & mobile singer with a great talent for showmanship (witness his arrival onstage via the crowd back at the first Hipsville a couple of years ago) he covers a lot of ground tonight in between shaking tambourine, maracas and blowing away on the harmonica.

'Diamond Ring' and 'Who Did You Rob, Bob?' are two of the highlights of a strongly performed set that sees the dancefloor crowded. Having one way or another managed to miss the band in various support slots this year it's great to finally have clapped eyes and ears on them. Those album recording rumours could do with being true. 

2/3s of The Wildebeests enter into the spirit of the season whilst John Gibb deigns to wear a bah, humbug Santa hat only for the duration of opening number 'Out Of My Head'. Wise man but then if this is as christmassy as it gets for me this year then I can't complain. Shouts of "ZZ Top" are met by replies of "ZZ Bottom" so you know it's going to be one of those nights.

And did we expect anything else? Of course not (& we'd be disappointed otherwise) so, digging into their back catalogue along with covers never before attempted live (The Boston Dexters' 'Nothin's Gonna Change Me Now', Motorhead's 'Motorhead') we get 'Pow Wow', 'Mongoloid', 'Comanche', 'Lucinda', 'Rowed Out', 'Cadillac' and a host more. Laurent's called upon to provide harmonica on a track or two but is unable to & so cheerleads for an encore instead. Teases of 'Public Image' are made a number of times but it's not to be.

A fun show to round off a very good year for the Franklin Rock 'N' Roll Club, the undisputed home of garage punk and related sounds in Edinburgh. It's a resource that can only get stronger in 2016, given the commitment of those involved. 

No-Things photograph by Debbie Sheringham.

 

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Shopping, Sneaky Pete's, Edinburgh

With their enjoyably in-your-face and dance-inducing songs such as 'Time Wasted' and 'Long Way Home', amusing wit-from-behind-the-kit and and energy-packed performance Shopping gave a great account of themselves in the tiny Sneaky Pete's on a surprisingly mild December night last week. Overcoming some initial microphone misbehaviour the trio belted through their set in support of newest album Why Choose with a great amount of charm and good cheer.

This was the penultimate date on their UK tour and the first time they'd played Edinburgh so those who had the sense to come along for the historic show were well served by a band clearly firing on all creative cylinders.

Support acts tonight seemed to have been a bit of a last minute affair. Guinness, the duo in the second slot, were apparently only formed the night before. Not a promising piece of information you might think but, if they genuinely came up with their three songs in the space of 24 hours then well done to them. Witty lyrics (given the time of year Xmas was a feature here) over a drum machine-driven backing displayed elements of I, Ludicrous and Syd Barrett and they're an interesting prospect if they choose to exist for longer.

Bday Pres, on the other hand, were a self-indulgent mess of a band. I left mid-way through their set for a walk round the block and a coffee as any irony they were trying to convey by covering Celine Dion badly and their other in-jokes was completely lost on me.

Why Choose is available from amazon & iTunes.

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Asylums, Olympia Theatre, Dublin

 

Rising stars Asylums are a dynamic four piece from Southend-on-Sea. They have recently  toured with Killing Joke and The Enemy and tonight in the Olympia is their last gig of the year and the final date of a UK tour opening for Northern Irish rock veterans, Ash.

This is a big production tour on the imposingly spacious stage of the Grande Dame of Dublin's theatres but Asylums are out setting up their own gear the moment Scotland's Amorettes finish their set.

It's their first gig in Ireland and they announce themselves with howling feedback giving way to chugging riffs and ragdoll flailing. They describe their music as ‘bipolar, manic distortion’ and it's a fair description. They are a striking proposition and not just because of singer, Luke Branch's  Richard Ayoade hair .

Lead guitarist Jazz Miell looks like a younger, punkier Tom Petty. His limbs contort and flail wildly between licks. There's a constant  gurn on his face as if the guitar is playing through his whole body. Twin curtains of blond hair windmill around as he leaps around playing in the air and on his knees. He's like the godchild of Thurston Moore and Kim Gordon and there are definite Sonic Youth elements to the guitar sound.

In contrast to the spasmodic performances of Branch and Miell, bassist Michael Webster is the  archetype of the effortlessly cool bassist. Like a young Paul Simenon, chewing gum and looking aloof, while drummer Henry Tyler pins down the beat and sings backing vocals.

The band slept on the floor of the ferry because the crossing was cancelled but you wouldn't guess from the energy of the performance. The Paris Climate Conference could hook these guys up to the grid and make an impact on climate change.

They are only on a short time, about 25 minutes all told, But the short songs and high tempo make it seem like they have played a full set.

Asylums are playing to a thousand people and taking it in their stride. Branch characterises Christmas spirit as "The misery of the Argos catalogue" and dedicates 'Missing Persons' to their employers back home who haven't seen them in work for a while.

They may not be back if this performance is anything to go by.

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