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Jordan Klassen's Choral-Infused Folk

  • Published in News

Jordan Klassen’s new studio album, Big Intruder, was released world-wide on September 22 via Nevado Music. Big Intruder is an album about growing up and making adult decisions. The eleven tracks, which Jordan Klassen wrote, recorded and produced himself, venture away from the whimsical soundscapes of his past work and exude themes of growth and maturity, both in lyrics and sound. Klassen previously strived for a cinematic sound, avoiding drum kits but tried to embrace the idea of 'band' on this record.

Big Intruder speaks to the dilemma of an overwhelming array of choices available in life, and the doubt and caution that become excuses to avoid commitment. The resulting songs are intimate and personal, guided by a sense of honesty and vulnerability. In support of the new album, Jordan Klassen will touring this autumn starting with a full European tour and select festival dates.

Klassen is a decorated songwriter in his own right who has spent more than a decade quietly crafting music that has been deemed 'unsentimentally sincere' and 'whimsically hopeful'. He recently released his EP, Curses, which was an assembly of brooding pop songs that continue in it's predecessor's exploration of mental illness and hushed vulnerability since his 2016 LP, Javelin. Writing about his life experiences is one of the essential elements in Jordan’s creative process – particularly events that he had deemed as his failures. 

 

Jordan Klassen UK Tour Dates

October 31 – Brighton, UK – The Hope & Ruin*

November 1 – London, UK – Camden Assembly*

November 2 – Bristol, UK – Louisiana*

November 3 – Manchester, UK – Gullivers*

*with Husky

 

 

 

 

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Lindi Ortega, Cluny, Newcastle

  • Published in Live

As a very slow January draws to a close, the music machines begin to kick back in to action. Tonight is the turn of Canada’s leading country starlet Lindi Ortega, accompanied by fellow countryman Jordan Klassen, and the venue is packed as Klassen takes to the stage. His genial manner showing through immediately, he’s full of kind words about the local area and it is fully appreciated by the crowd.

Klassen is packed with stories and the accompanying tracks are powerful. New track ‘Baby Moses’ sounds incredible and despite his soft-spoken manner he has real grit to his tone, which really shines through in ‘Firing Squad’, which closes his set, it is all over far too quick though; Klassen has truly shined tonight.

As Lindi Ortega takes to the stage the mood in the room changes completely, the male-heavy crowd packs in close. Ortega takes to the stage in high spirits, graciously greeting the crowd before launching into opener ‘Run-Down Neighbourhood’. Sauntering around the stage one cannot deny the crowd's enthusiasm has piqued, her heartfelt country ballads providing the backing track to their gazing.

Title track from her latest album Faded Gloryville, goes down a storm with the crowd. There’s a lot of pain and a lot of anguish conveyed in these tracks, Ortega goes to some very dark places in her set. ‘Lived And Died Alone’ is particularly heartfelt, though despite these darker numbers there are some lighter moments in the set.

These are few and far between however; the tub-thumping rhythm of ‘Run Amuck’ is such a moment. The pounding drums and bright guitars providing an uplifting backing-track yet the lyrics still cut through, with tales of an absent “daddy” who has a love for alcohol, coffee and cocaine.

Her delicate cover of ‘Bang Bang’ by Nina Simone, does nothing to abate the anguish displayed in the set. The passion, which she conveys, the hurt and upset is unnerving. All of this is compounded by the closing track which is a cover of the Bee Gees ‘To Love Somebody’, again with Ortega’s own spin she takes the song down a very dour and sombre route.

Despite Lindi Ortega’s chipper mood her songs, particularly those from her latest album display the much darker side of country music. Even in spite of the crowd’s enthusiasm, there is a sinister undercurrent to the set that explodes from the harsh lyrics.

Her set is beautifully delivered though, it’s conveyed with great passion and even if some of the crowd were sidetracked by other elements, we were enamoured by her words.  

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