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ANOHNI - Paradise EP

  • Published in Singles


Buried deep in the concluding moments of Paradise, the voice of an unidentified woman asks: “Everything is going upside down. How are we going to work on it, work on it to make it better? All of us.” Before we reach her words of warning, we have encountered an ominous funeral march intro, a dystopian vision of hell, an impassioned rant directed at Christians and a lot of other people, a song in which a mother repudiates her own child, a song about hating God and, just to finish it off, an ecological apocalypse. It is fair to say that ANOHNI has taken up where she left off with Hopelessness, confronting the ills of the new, fragmented, hate-driven politics head on.

Paradise, consisting of six songs, showcases the remarkable, uplifting confidence of the last year’s acclaimed Hopelessness. Transformed in a new identity, the former Antony Hegarty became a prophet - her commanding voice searing and impossible to ignore on songs such as ‘Drone Bomb Me’. Paradise is a coda, but no throwaway extras release. A carefully assembled set of songs creates a different atmosphere to its parent album, with Daniel Lopatin joined on production by Hudson Mohawke to add a new level of clubby bounce to the pitch dark subject matter.

‘In My Dreams’ opens with rushing winds, a wistful solo organ melody and massed harmonies, but this proves to be a decoy. The organ fades and the big, club beats of title track ‘Paradise’ take its place, full of the snare rolls and Mohawke. Exceptionally listenable, it combines statements of existential despair - “Hopelessness, I’m here not here” - with enormous, stomping beats and a delicate melody, and eerie duck call effects. It is a heady mix. If ‘Paradise’ is the high point, songs such as ‘Jesus Will Kill You’ (pan pipes, a grunty sample, deep bass), ‘You Are My Enemy’ (AHNONI’s purest vocal tones, church organ, door slamming kick drums) and ‘Ricochet’ (the lyric: “I’m going to hate you, my God, for making me this way”, plus steam hammer percussion) deliver the goods. Paradise walks the fine line between eternal Goth gloom and irresistible tunes, while leaving none of society’s ills unaddressed. More power to AHONHI for expressing our collective anger and telling it like it is. 

Paradise is available via Amazon and iTunes. 


Way Out West — Day One

  • Published in Live

Way Out West kicks off in blazing sunshine. Walking through Slottskogen, we’re surrounded by a sea of Fjällräven backpacks and fashionable monochrome. For three days a year, Way Out West takes over the heart of Slottskogen, the huge park at the heart of Gothenburg. This year, the festival is celebrating its tenth year: music-wise, there are five stages to choose from where you can see popular headliners and the bands who, in a year or two, will be headlining the bigger stages on their own. Just ask Fleet Foxes, Band of Horses and Warpaint, who played at Way Out West just before making it big.

But Way Out West isn’t just about music. The focus is much more wide-ranging. Keen to support the environmental movement, the festival has been 100% vegetarian since 2012 and it went dairy-free last year. As well as checking out music, you can head along to talks about environmental and societal issues throughout the festival— an example of this being, Karolina Skog from the Ministry of the Environment and Energy, who is giving a talk at the Höjden stage. This being Musos’ Guide, we’re going to stick with the music. Tonight’s headliner is Morrissey. But before night falls, there’s plenty of music that we want to check out.

 We start things off by going to see Vasas Flora och Fauna at the Höjden stage. It’s at the bottom of a gentle slope and lined with trees, making it a natural amphitheatre, and it’s a great place to grab a spot on the grass and enjoy the music. Vasas Flora och Fauna are a trio of Swedish-speaking Finns, whose gentle indie pop is utterly charming. After that, it’s time to catch Jason Isbell on the Azalea stage, one of the festival’s two main stages. He plays a fantastic set that’s tight and full of soul. Our mate, who’s a huge fan, spends the entire set in a swoon. The track '24 Frames' is better live than on the Grammy award-winning Something More Than Free, Isbell’s most recent album. Other tracks that really fly are 'Stockholm­­­­­' and 'Cover Me Up'.

London band Daughter have been gaining lots of traction recently and we’re keen see what they’re like live. We head over to the Linné tent to find out and aren’t disappointed. It’s atmospheric stuff and tracks 'New Ways' and 'Youth' go down really well with the crowd. I’ve got a real soft spot for the Saturdays=Youth album by M83, so we amble over to the festival’s main stage, Flamingo, to catch their set. It’s just the kind of music to get the crowd moving and they crack through a decent set that includes 'Midnight City', 'Outro' and, happily for me, 'Couleurs'. After that, it’s time for a shot of Scotland in the form of Chvrches. They draw a big, appreciative crowd and blast through a cracking set that includes 'Bury It' and 'Never Ending Circles'. Lauren Mayberry banters away with the crowd, stopping at one point to tie the laces on her platform shoes. It’s a sign of their success that even the typically reserved (“No, discerning”, says my Swedish co-writer) Swedes are dancing away by the end.

The Last Shadow Puppets are one of the highlights of the day and they play an absolutely delicious set. Alex Turner and Miles Kane are on top form with Alex posturing his way across the stage in a shocking pair of maroon trousers while Miles flounces about in black and white silk. The set is high camp, knowing and utterly glorious with Alex channelling a stage presence that’s somewhere between Grinderman and Neil Diamond as he croons that he’d “like to play something from my last LP”. They blast their way through a great set, the best of which are 'Standing Next to Me', 'Age of the Understatement', 'Everything You’ve Come to Expect' and 'Bad Habits'.

There’s a sticky moment just after 8pm when The Libertines set gets cancelled at the last minute but the Way Out West app quickly notifies us that they’re taking over ANOHNI’s set tomorrow night. ANOHNI is down with the flu, which is a huge disappointment but I’m keen to see The Libertines live, even if it’s a day late, as it’s been twelve years both since they last played in Sweden and since I last saw them live.

Finally, in the headline slot, it’s time for Morrissey. It’s good to see that he’s as provocative and combative as ever and the crowd devours his set. He’s winningly self-aware as he chats to the crowd between songs, a particular cracker coming after he applauds the festival’s vegetarian ethos when he says “No death for sale, no pain for sale, no torture for sale… except for me”.  The set blasts through his best tracks, even 'Ouija Board' gets an airing, and standouts are “The World Is Full of Crashing Bores' (accompanied by a picture of Kate and Prince William looking particularly vapid with the slogan “United Kingdumb”), 'English Blood, Irish Heart' and 'The Last of the Gang to Die'. The crowd clap and cheer long after he leaves the stage with a bow before dispersing into the night. 




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