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Physical Format-20190320

  • Published in Columns

 

Flying Vinyl's October 2017 selection gets our attention this week. So far none of the discs I've decided to let go have had any attention on Discogs but lets see if they'll be gaining company in the inventory from this iteration of the column's inclusions. Or indeed whether I'm well behind the curve in not having played the best thing since sliced bread until now.

Black Honey receive the transparent pink (slightly bloodshot) treatment for their 7" of 'Bloodlust' and 'Ghost'. The A side's got a good bit of pace to it and so progresses at a good indie rock clip. The B side's an acoustic version of what is presumably an album track. As mentioned in a previous column the point of such versions escapes me and this is a bit dull on the whole. £18.70 seems to be the going rate on Discogs so will take a punt. The band's website show's they're set to tour the UK & Europe during spring 2019.

Horsey fetch up in transparent bottle-green vinyl. 'Park Outside Your Mother's House' starts off unpromisingly but after it initially blows up there's a bit more oomph to it. Gallon Drunk come to mind as it rolls to a close. 'Weeping' begins with a similar late-night, intimate jazz club vibe as the A side but again comes to life as it progresses before dribbling away at the end. Doubtful I'll be playing either side often in the future or getting owt else by the band but for now it's being listed for sale & kept. The group's Facebook page shows them to be active at the present time.
 
Brighton's brotherly duo Underwater Boys take up the third slot this time around. 'Everyone You Know' is earnest, yearning, synth-driven pop. Pleasant if a bit drippy. 'Bye & Bye' wasn't likely to be anything other than similar to the A side. No one seems to want it on Discogs though (last sale at time of writing was 50p in January) so it's into the flea market box with it. The pair's Facebook page shows they were active up until at least November last year.
 
No such fate for disc number four however. Given that she and her band are going from strength to strength it's almost redundant to write up Pip Blom's 'Babies Are A Lie'/'School' double A sider this far down the line. But here goes. Catchy, honest and jangly the first track has that quality of sounding effortless in it's composition & performance whilst 'School' deserves multiple repeat plays and is surely one of the best tracks of its kind produced in 2017. Debut album Boat is coming out in May and all the details of live shows etc. can be found here.
 
Last out of the box this time is Maddee from Toronto. Mention of R 'n' B in artist blurbs always makes me wary, given that my concept of it doesn't seem to tally with what's meant (i.e. I'm stuck in the sound of the '60s). 'Lost' though conforms to what I understand to be the current usage. It's a bit Lana Del Ray meets Sade. Wine bar background music - enough of a beat to provide pleasant noise but turn it one notch louder and the atmosphere's ruined. 'Weight' leans a bit more towards Sylvan Esso territory but on the whole there's no compelling reason for this to stay in my collection. Facebook shows Maddee is still active.
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Physical Format-20190313

  • Published in Columns
We've reached September 2017 in this retroactive exercise of reviewing the Flying Vinyl singles I've had gathering dust. So far four out of ten have been either listed for sale on Discogs or failed to sell for 50p at a flea market & thence gone up on display in my kitchen window. What fate awaits the next five?
 
Alvvays get a fetching transparent orange for their disc of 'In Undertow' and 'Dreams Tonite'. The A side must be one of the more memorable releases in the Flying Vinyl canon, getting a fair bit of airplay on 6 Music three years after they caught people's attention with 'Archie, Marry Me'. Enough for me to recognise it all these months later anyway & it's certainly not unpleasant to hear it again. 'Dreams Tonite' is a slower, dreamier song than 'In Undertow' & so fine as a B side. A nice pairing on the whole. I thought they'd shot their bolt with 'Archie' but they've probably a few years left in them although their website shows no activity since last summer. 
 
Transparent pink is the order of the day for London trio Calva Louise. 'I'm Gonna Do Well' races along nicely in a surf-pop vein - good riffage, quirky synth parts and some top notch screaming. So enjoyable in fact that I'm going to turn up the volume and play it again. B side 'Getting Closer' begins in more ponderous fashion but the guitar thrashes early on hold promise & sure enough we get some epic screaming not that long intp the song. This is probably my favourite disc of the three months I've so far written up. Their Facebook shows them to be on tour in the UK at the moment, in support of LP Rhinoceros.
 
Francobollo hail from Sweden. 'Future Lover' sounds like Pavement at their heaviest, which is no bad thing. As it progresses though Weezer at their roughest come to mind and after that point they've lost me. Being very quiet, like Elmer Fudd, just so you can then be VERY LOUD is pretty dull on the whole. I can't imagine this coming over at all well live. B side 'Finally' is acoustic, something I fail to see the point of when the tune was obviously written to be played electrically. Discogs reckons I could possibly get £8.70 for it so listed it is. From a look elsewhere online it seems the band have been quiet since summer 2017.
 
Geowulf get no points for their name. Boy/girl duos are ten-a-penny & this pair sound no different from the likes of Joy Zipper (who I'd forgotten about until going through 7"s to donate the other day. Hung on to theirs for now though) etc. 'Saltwater' is decent enough pop, particularly the instrumental break midway through, whilst B side 'Drink Too Much' is also equally pleasant in recounting how Star Kendrick is apparently a bit of a handful when she has a skinful. It may not of course be autobiographical. Hedging my bets here as I'm keeping it but also listing it, seeing as double figures are a possibility and it has a decent sales history. The pair are active this week at the SXSW love-in so clearly still a viable outfit.
 
Last up this time around, appropriately you could say, comes Turtle. Typically for Flying Vinyl, at least at this point in its history, the tracks on here ('Calculate' and 'Blood Type') are listed in the opposite order on the sleeve but then described as A & B respectively in the box's accompanying booklet. Whichever is which both are good slices of electronic music at the darker (but still tuneful) end of the spectrum. After finishing this piece I'll be seeking out the Turtle album, Human. 2017 also seems to be the last time that Turtle produced anything.
 
 
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