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Ellie Bleach @ The Old Blue Last (Live Review)

  • Published in Live

Ellie Bleach

The Old Blue Last

Live review by Captain Stavros 

Brace yourself.  This next piece of advice isn’t for the faint of heart but if you’re willing to push the boat out on this one, go against popular opinion, and perhaps science/health and safety, you will not regret it.  You should immediately put bleach in your eyes, but don’t stop there, stuff your ears with it!  I would go so far as to say you should bathe yourself in bleach, if that’s a luxury that is available to you.  If you can still see the screen at this point and have made it to the ‘cautionary statement’* part of the review, we of course meant you should stuff your senses with Ellie Bleach.

Seated on a wobbly stool behind a set of keys, and in front of group of floppy haired man-boys in worn-out sneakers with equally worn-out trousers and shirts, is Ellie.  You wouldn’t know she was from London, by way of Essex, from her early release ‘Leave Me Alone’ in 2018, because she doesn’t sound English.  Since then, she’s perhaps not yet become a household name but has been popping up on the right underground radars (blows on nails, shining them on shirt).  A nettlesome Bleach looks out at us through ice blue eyes from the stage at the Old Blue Last.  Brown-slacked legs slide comfortably under the keys in well-worn loafers, the kind my Grandpa would always complain about losing.  Her set starts off with ‘Precious Feelings’ from her new EP No Elegant Way To Sell Out.

The gig is a mashup between a lounge act in casino residency clothing and somewhere along the lines of a cruise ship piano bar.  The music is easy to dip in and out of, great for a walk or a tube ride when you want to be left alone with your own thoughts where inevitably the lines blur between yours and hers.  Ellie is as effortlessly captivating as she is entertaining, following a well-rehearsed pace that is unhurried but with a confident stride.  Bleach’s seasoned crowd engagement and banter balances well with her music’s dark and playful affectation.  One moment she’s flirting with us, batting eyelashes over her shoulder, the next she’s talking about stabbing frat boys in Manhattan.  It’s all in jest, one hopes, however and secretly we believe we’ll never peel away all the layers to see what lies beneath, having to settle for seeing what we’re shown.

Lyrically, Ellie is as acidulous as she is expository, “your search is through/you’ve finally found a girl that’s smarter than you” from her last single ‘Big Strong Man’ sings the unspoken.  I’m particularly attracted to the unconventional approach to, or at times even sidestepping, a chorus.  The music’s not trying to hypnotize with repetition, she’s telling her story and we’re very interested in listening.  ‘Doing Really Well, Thanks’ closes out the set and is a great example of her signature style.  The contrast between the music, jaunty keys with Bleach’s bouncing legs beneath the keys coupled with fuzzy guitar and bass, marries up nicely to the lyrics, “I've done awful things for money, but you've all done worse for free”.  Not exactly accusatory but food for thought nonetheless.

The announcement of her aforementioned last track was met with a chorus of soft boos, myself included.  Could we be blamed for wanting more?  Ellie, adopting a mocked hurt tone, asks us not to boo her.  After her set, the only thing louder than the demands for more was a resounding “NO!” booming into the mic and over the crowd as attempts to coax and cajole an encore fall on deaf ears (probably literally).  “You’ll speak when spoken to” finishes the set; I’m chiding myself for only thinking of yelling out “yes, mistress!” in hindsight.  On our way to a frozen margarita nightcap, the glass sweating in our hands on a warm summer night we spoke about what we’d seen and heard. Summed up? Kooky vibes, quite cool though, seems like a normal person, maybe relatable is a better way to put it.  If you missed this show, throw a follow on the socials (@bleachellie) to catch the next gig.  Wish her a belated happy birthday while you’re at it too.

*Stuffing bleach into your eye and earholes may be injurious to your health (Marky-Ed.)

 

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Singles That Mingle 20220708

  • Published in Columns

 

Singles That Mingle

A massive dose of deadly singles from our resident expert, Captain Stavros 

False Heads

‘Mime the End’

Sick Moon - Out September 30 on Scruff of the Neck Records

A real nuts and bolts track, reminiscent of Blood Red Shoes hungrier days.

Bloomsday

‘Voicemail’

Place To Land out June 10 via Bayonet Records

A jam with a light touch.

Alice Low

‘Sodomizer’

A funkload of OG riffs on this absolute gem of a jam, it's got that big sword energy you never knew you needed.

Bonnie Trash

‘Teeth’

Single out now via Hand Drawn Dracula

Do, do, a double take on this ghostly identical duo as they cut their teeth on this haunting single.

Clamm

‘Monday’

Care out August 19 via Meat Machine Records

A tune spitting so much heat it'll take your head off and cauterize wound at the same time.

The Soft Moon

‘Him’

Exister out Sept 23 via Sacred Bones

Surf's up dudes! Dark wave surf. The long awaited follow up to 2018’s Criminal is almost here.

CANDY

‘World of Shit’

Out now via Relapse Records

Don't want to miss your stop on the tube? Fire this bad boy on and sleep will be the least of your concerns.

DEUX FURIEUSES

‘Resolute’

Bring Down the Government out now

I’d say it was a well-timed release, but they literally could have released it any time in the last 12 years and it would have been well timed

Ellie Bleach

‘Big Strong Man’

No Elegant Way To Sell Out, Out October 6 on Sad Club Records

Ellie’s new on the scene so you’ll likely not recognize the music when it pipes through your listening device. It’ll be the first time the tunes’ll make you take notice but not the last.

 

Muna Ileiwat

‘Pity Party’

Twenty-Seven out August 19 on FOMO Records

Great summer late nights playlist material.

Tan Cologne

‘Floating Gardens’

Earth Visions of Water Spaces out September 9th on Labrador Records

If a Zephyr transmogrified itself into a song, this would be it.

October and The Eyes

‘Jack Black Must Die’

EP Who Upset You? Out Now on Kro Records

I think the YouTube description said it best, ‘Any comparison to real life people is defintely not coincidental’.

KEG

‘Elephant’

Gerders EP out September 2 Via ALCOPOP! Records

We’ll keep promoting KEG as long as they continue their strange trip down Absurdity Boulevard.

The Paranoyds

‘Lizzie’

TALK TALK TALK Out September 9 via Third Man Records

If America ever decides to dip their big toe into Eurovision, this should be their 2023 submission.

ALASKALASKA

‘Growing Up Pains’

A slow burner from the freshly re-surfaced, and blog favourites ALASKALASKA

Desire

‘Days & Nights’

Escape Out Now via Italians Do It Better

Skip to the 1 minute mark and prepare to appreciate Desire’s consistency.

 

 

 

 

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